Sunday, May 16, 2010

Hands in Harmony - Tim Barnwell

Hands in Harmony is a photographic exploration of the makers of Appalachian folk music and traditional handcrafts by photographer Tim Barnwell. The exhibition includes approximately 30 black-and-white photographic portraits of well-known figures in the Appalachian music and crafts communities and images of some who are not as well known.

The images are drawn from Barnwell's three decades in photography. They speak to the beauty and uniqueness of handmade objects and their creators as well as the musical heritage carried on by the traditional musicians of the region.

Barnwell (1955 - ) was born in Franklin, North Carolina. He started taking photographs at age 10, when he bought a camera from his uncle. He served as Executive Director of the Appalachian Photographic Workshops based in Asheville, NC from 1980 to 1988. Barnwell's background is photojournalism: he has had over 60 articles and 1,000 photographs published to date. Barnwell was the juror for Slow Exposures in 2009 as well as presenting a workshop during the show.

Barnwell's work has been widely exhibited and is in the permanent collections of the Metropolitan Museum of Art, Asheville Art Museum, the New Orleans Museum of Art, the Greenville County Museum of Art, Western Carolina University, Mars Hill College and R.J. Reynolds Industries. His book, Hands in Harmony: Traditional Crafts and Music in Appalachia was published by W.W. Norton Books in fall 2009 and is available in the Museum Shop.

This exhibition was organized and curated by the Asheville Art Museum. This exhibition is sponsored in part by Asheville Eye Associates, John and Joan Dickson, the Judy Appleton Memorial Fund, f/32 Photography Group, Suzanne and Stephen Jones, Ann and Ted Oliver, and Ms. Sally Kennedy. Image credit: Tim Barnwell, Rowena Bradley Making Double Weave Rivercane Baskets, 1991, black and white silver gelatin print, 14 x 11 inches. 2009 Art Nouveaux Purchase. Asheville Art Museum Collection.

Monday, May 10, 2010

Southern Memory Part I Inside and Out

John Bennette presents a special exhibition at the Whiskey Bonding Barn during the Slow Exposures exhibit.
Are most contemporary photographers of the south haunted by Christenberry, Evans, and McLaughlin or is something else at work? The land itself is a character that overwhelms and seems always ready for its moment. You cannot get away from history. Memories are soaked into the land and the people who dwell on that land.
It is easy to fall into dreams and reverie. Looking at southern light and shadows summon shifting memories; sight exposes you to voices from the past. Photography has one of its many definitions as fixing a shadow. Southern Memories Inside and Out is an essay about my memories as a son of the South who has left but still returns.
It combines images from a number of sources, from local to international artists who at some time came to the south and felled under its spell. There are dualities to this exhibition. Artists in the exhibit will include:

John Bennette hails from Alabama and began collecting photography, with a remarkedly good eye, 30 years ago while living and working in New York City where he still resides. Today his collection of 350 photographs is the evny of many a curator and museum. When not browsing for his next acquisition, Mr. Bennette teaches a course in collecting at the New School in New York City, travels the world lecturing at institutions, and advises up-and-coming photographers on their portfolios. Slow Exposures was honored to have Mr. Bennette as a juror for the 2005 show and a workshop instructor in 2007 and 2009.

Monday, May 3, 2010

Peter Essick at Serenbe Photography Center

This Friday night National Geographic photographer, Peter Essick, speaks on the challenging environmental issues of our time. You will hear about his experiences and see photos he took to convey the impact of events on our environment. After the presentation, have dinner with Essick and discuss photography with other Serenbe Photography Center photographers.
On Saturday, Essick takes you on a full-day assignment to prime locations along the endangered Flint River. Beginning in Thomaston you will have the chance to photograph the place where palmettos, Spanish moss, and rare spider lilies meet mountain laurel and azalea -- illustrating the transition from piedmont to coastal plain. You will also photograph a farm that will be impacted by the proposed dam on the river.
Use the links to view complete details on both events. Also check out the complete workshop and event schedule for the Serenbe Photography Center.